Image
Image
Before I became an [TRY AGAIN], I worked as a [TRY AGAIN] for the [TRY AGAIN], a [TRY AGAIN] [TRY AGAIN] in [TRY AGAIN] in [TRY AGAIN]. During my last six months, while [TRY AGAIN] a [TRY AGAIN] for one of the [TRY AGAIN], I received several [TRY AGAIN] to include in [TRY AGAIN]. One of them detailed the [TRY AGAIN] and range of [TRY AGAIN] in [TRY AGAIN].
One day, in particular, I had a meeting with one of the [TRY AGAIN] I’m working with; during our meeting, she saw a printed version of the [TRY AGAIN] file I’ve been sent. She told me that I shouldn’t have this [TRY AGAIN], and I was sent this [TRY AGAIN] by mistake. There was no going back now since I already have the [TRY AGAIN], but she asked me to not show the difference between [TRY AGAIN] and [TRY AGAIN].
After she left my [TRY AGAIN], I was thinking of how valuable this secret [TRY AGAIN] I was holding with my own hands, I turned to my computer and instead of continuing my work, I started to find out the [TRY AGAIN] of [TRY AGAIN] and [TRY AGAIN] in [TRY AGAIN]. I was pretty disappointed to find that the [TRY AGAIN] of [TRY AGAIN] is around [TRY AGAIN] of the total [TRY AGAIN] in [TRY AGAIN]. I wasn’t disappointed because it is a [TRY AGAIN], I was disappointed because this [TRY AGAIN] is available [TRY AGAIN] and it’s easy to [TRY AGAIN]. In fact, I heard this [TRY AGAIN] several times before when I watch any [TRY AGAIN] informing people about [TRY AGAIN].
But if this information is already [TRY AGAIN], why make it a [TRY AGAIN]? and if a [TRY AGAIN] and already-known [TRY AGAIN] like [TRY AGAIN] is a [TRY AGAIN], how can they handle more sensitive [TRY AGAIN]?
Image
ABSTRACT
The architecture of Doha, Qatar is defined by skins of glass. When the sun shines upon the layers of glass, it creates a shimmery reflective grid across the surface of the city. These reflections, while visually intriguing, conceal many private realities behind the surface.
As a multidisciplinary artist, I attempt to maneuver in the space between the opacity of the facade and stories that lie behind. Specifically, I use this space to directly expose the contradictions that I encounter here.
