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An image of the artist is reflected in the mirror.

Zoe Schwartz

Please Don't Hurt Me

I am a Jewish Filipina American, a hybrid of two hyper feminine archetypes: the Jewish American Princess and the Pinay Beauty Queen. Generations of assimilation, colonization and genocide taught my matriarchs to internalize the white male gaze. It was not until I looked in the mirror that I saw her. She understands the importance of performance and appearances because she knows, in a world that will not protect you, there is safety in conforming to feminine norms. She uses her knowledge of pop culture, beauty standards, humor, class symbols and social acceptability to imitate and perform desirable [white] femininity and achieve objecthood. She knows becoming an object of desire provides an illusion of protection. She is still vulnerable to real danger. She feels your gaze, depending on how safe she feels, she may open up, deflect, misdirect, camouflage or politely decline. She reflects her environment and evolves over time. She is art, artist, and audience; hyper visible and Miss Understood.

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An image of the artist is reflected in the mirror.

Interior Shot of the Artist’s Studio

Mirror, glass, metal wire, and fabric

installation

2022

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A scallop shaped shell holds another scallop shaped shell with bubbling white glass in it.

Mother Mold

Shells and glass

5"x5"x1"

2022

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Mirrors in the shape of diamonds hang from the ceiling along with glass pieces.  All are suspended by metal crochet weavings.

Please Don’t Hurt Me: A Sculpture that Can Never be Fully Captured

Mirror, glass, metal wire, and fabric

installation

2021

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Thin glass piece with flowers and the words "Diyan Masalanta" on it.

Diyan Masalanta 

Glass

12"x6"

2022

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Two glass objects in the shape of half domes.

One Half of a Pomegranate Poured and One Half of a Pomegranate Dipped

Glass and metal wire.

4"x4"x3" and 4"x4"x3" 

2021