Dongheng Yang

Destination Unknown

‘Keep it centered!’ 

My experience as a glassblowing apprentice struggling to blow glass symmetrically has largely informed my studio practice. I embrace humor and absurdity thinking about the unachievable perfection and the inevitable flaws in my vessel making processes. Vessels are essentially my sources of inspiration. I am interested in revisiting their making processes, their structural elements, and their functions as essentially presentational or serving mechanisms. I often play around with means of display, bringing furniture and architectural structures into my jokes.

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Halves of a hand-blown goblet glued onto each side of a mirror and resting meticulously at the edge of a pedestal.

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A slumped hand-blown goblet hanging at a pedestal precariously with its puntil mark.

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A slumped hand-blown bowl.

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Front side of a mirror with a halved hand-blown footed dish glued on.

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Back side of the mirror where the other half of the slumped dish is acting as a stand.

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Front side of a mirror with halved hand-blown vessels glued to reference still-life painting.

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Top view of the mirror with halved vessels featuring the flawless halves of on the frontside and the cracked on the backside.

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A slumped hand-blown goblet receiving a spotlight, casting a haloed shadow on the wall.

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A slumped hand-blown goblet scattered in a gallery space as one of the "Easter eggs" of a show.

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Various hand-blown vessels made to be capable of standing upright on a sloped tabletop.

 

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