Kai Ji

Transnationals; or, The Modern Frankenstein.

“Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow.”

The title of this thesis is adapted from the title of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the quote above is said by the scientist in the novel. To associate the word “Frankenstein” with “transnationals” is not to refer to the transnational as the monster, but to explore the duality of the identity of Frankenstein: Dr. Victor Frankenstein, a privileged scientist who studies abroad and achieves a scientific breakthrough; and the Creature, a subject who experiences discrimination and oppression as the other in his assimilation into the world.

Kai Ji’s written portion of his thesis is a short adaptation of Shelley’s original novel. The intention is to use the original characters of the novel to explore the identity of border-crossing transnationals and their relationship with nation states. Different from the original story, in the adaptation, the Creature’s body is submissive to Victor Frankenstein’s ambition, which demonstrates the interdependence between the maker and his creation.

Based on this adaptation, two short experimental films are done on 16mm clear leader, with pigment on the film surface developed from the coating of M&Ms. The material choice of M&Ms speaks to Ji’s professional background as a former marketer of the brand. 

Visit Ji’s website for the adapted manuscript.

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A green body with an orange organ

Rebirth.

Digital preservation of 16mm handmade film, made of pigments developed from M&Ms on 16mm clear film leader

2022

“I was born with a hideous look. My parents abandoned me because of this. I’ve since lived on my own, relying on the food I found. People around me are also frightened because of the way I look.” – excerpt from adapted manuscript

Transnationals; or, The Modern Frankenstein.

Digital preservation of 16mm handmade film, made of cotton ball fiber, 3D printed resin, paper fiber, fishing wire, Sharpie, acetate tape, and pigments developed from M&Ms on 16mm clear film leader

2:12 min. duration

2022

“These past two years since you abandoned me, everywhere I go, people hate me because of the way I look. I was lucky to find protection with a family, but in order to meet them, I need you to fix my deformity, especially my face.” – excerpt from adapted manuscript

Frankenstein; or, The Modern Prometheus.

Digital preservation of 16mm handmade film, made of paper fiber, Sharpie and pigments developed from M&Ms on 16mm clear film leader

1:56 min. duration

2022

"…no torture shall ever extort a consent from me. You may render me the most miserable of men, but you shall never make me base in my own eyes... Begone! I have answered you; you may torture me, but I will never consent." – excerpt from the original novel

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organic form showered under red paint

Hunt.

Digital preservation of 16mm handmade film, made of Sharpie, and pigments developed from M&Ms on 16mm clear film leader

2022

“… I perceived in the gloom a figure which stole from behind a clump of trees near me; I stood fixed, gazing intently: I could not be mistaken… its gigantic stature, and the deformity of its aspect more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy daemon, to whom I had given life.” – excerpt from the original novel

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high contract abstract hive shapes with white background

Wretched.

Digital preservation of 16mm handmade film, made of pigments developed from M&Ms on 16mm clear film leader

2022

“This is the first time the Creature experiences such close bodily contact. The Creature was born with a gigantic statue, and was never in the arms of his maker. There was never a motherly touch laid on him.” – excerpt from adapted manuscript