EPISODE 4
Janaya Kizzie
Image
Photography by Matt Ferrara
Janaya Kizzie is an artist, writer and historian working in Providence. Kizzie considers each work a binding of some kind, in the literal and esoteric sense. Often invoking the tropes of the horror genre, Kizzie experiments with narrative, worldbuilding, and non-linear time. Kizzie's work has been exhibited by the RISD Museum, the Jamestown Arts Center, and the New Bedford Art Museum. In addition, working in archives, Kizzie processed the AS220 Collection, documenting the history of arts and place-making, at the Providence Public Library in 2016 and was named the Rhode Island Council for the Humanities Rhode Island Public Humanities Scholar in 2020. Kizzie served on the board of feminist arts collective, the Dirt Palace, from 2018-2020, and is currently on the board of Homosaurus, an international linked data vocabulary of LGBTQ terms.
EPISODE NOTES
Artists + Writers mentioned [starting at 3:16]
Xander Marro and Dirt Palace [10:35]
Snowtown Neighborhood References [9:15]
Spooky Sisseretta Jones spot [22:55]
Horror media referenced during the episode
LORE podcast [12:50]
Hereditary [15:00]
Midsommar [16:40]
The influential Jordan Peele [18:50]
Them (TV show) [19:26]
Clive Barker, “In the Hills, the Cities” [29:05]
Toni Morrison, Beloved [29:54]
David Lynch (dir.), Mulholland Drive [30:30]
Derrida’s Hauntology and Black Feminist Hauntology in Toni Morrison’s Beloved [26:04]
Further reading:
The Metaphysics of Crackle:Afrofuturism and Hauntology
Black Feminist Hauntology: Rememory the Ghosts of Abolition?
Faith in the Ghosts of Literature. Poetic Hauntology in Derrida, Blanchot and Morrison’s Beloved
Learn more about Janaya’s work with libraries and archives:
Women in Action: Bringing long-overdue inclusiveness to Providence Public Library
Janaya Kizzie Humanities Council
© THE BLACK ARTIST PROJECT 2022